Premiera plesne predstave
Pet različnih karakterjev se želi spojiti v skupino. Vsak od njih je izobčenec, ki želi ugajati. Doseže navidezno urejenost. Strukturno se loteva zapletenih telesnih kompozicij. Dve plesalki že na začetku ne želita pripadati skupini in potencirata na silo ustvarjeni material, saj se želita osvoboditi nadzora zunanjih mnenj. Vse pa želijo predreti ujetost v danih dimenzijah. Izčrpajo se fizično in psihično. Soočene z naporom padcev � vztrajajo. Skupina vse bolj razpada na izolirane posameznike, ki so povezani le navidezno. Homogena tvorba, ki bi v svojem majhnem svetu omogočila razvoj individuuma, ni vzpostavljena. Vendar je konec konstruktiven, čisto nasprotje začetku � urejen kaos. Izrazito fizični presek energij zamenja minimalistično fokusirano, zenovsko koncentrirano obvladovanje telesa. Kot piše Richard Bach v knjigi Jonathan Livingston Galeb, izhodišču in idejnemu vodilu predstave Kore wa tada no sen desu, se posameznik tako močno trudi doseči svojo hitrost, da ga spodnese in se le s težavo dvigne od tal. Šele s pridobljenim spoznanjem se zanj začne novo življenje.
Five different characters want to unite themselves into one single group. They are all outcasts and they all want to be loved by others. The group seem to attain an apparent order. Structurally, they try complicated physical compositions. Two dancers, both females, who don’t want to belong to the group from the outset. They intensify the material, which was created by force, as they want to be free from outside opinions. Nevertheless, all individuals want to break free from the confines of fixed dimensions. They exhaust themselves physically and mentally. They persist despite fatigue and falls. The group disintegrates more and more into isolated individuals. The connection is only an apparent one. A homogenous structure, which would enable the development of an individual in their miniscule world, is never established. Nevertheless, the end is constructive, it’s in complete opposition to the beginning; it’s an ordered chaos. An extremely physical cross-section of energies is replaced by an ascetic, Zen, the concentrated control of the body. As in Richard Bach’s “Jonathan Livingston Seagull”, which was the starting-point and a rough outline for the performance “Kore wa tada no sen desu”, the individual tries so hard to achieve his/her speed that he/she becomes thwarted and elevates themselves from the ground only after a mammoth struggle. He/she can start a new life, only after she/he gains a certain knowledge.
Koreografija/Choreography: Martina Dobaj Eder
Asistentka koreografije/Assistant Choreographer: Vita Osojnik
Ples/Dancers: Ariana Ferfila, Nina Milin, Vita Osojnik, Kristina Pojbič, Kjara Starič
Glasba/Music by: Marko Urbanek
Luč/Lighting design: Urša Vohar
Šivanje kostumov/Seamstress: Tina Pavlin
Fotografija in design plakatov/Photography and poster design: Neža Teropšič Trobec
Produkcija/Production: Flota, zavod za organizacijo in izvedbo kulturnih prireditev, Murska Sobota
Koprodukcija/Co-production: Flota, zavod za kulturo, Ljubljana, Plesni Teater Ljubljana
Kaj: Plesna predstava
Kdaj: ned, 22.4.
ob 20.00
Kje: Stara elektrarna, Slomškova 18, Ljubljana
Vstopnina: 7, 4